Andy Warhol Meets Film Noir: Biff, Bang, Pop!
Here’s a Photoshop technique for transforming a B&W photo into a bright pop-art image. It restricts the colors to a very narrow range (in this case, yellow-orange). I began with a B&W movie still of Richard Widmark in his movie debut, playing giggling killer Tommy Udo in the 1947 film noir classic, Kiss Of Death:I sharpened the image (Filter>Unsharp Mask, Smart Sharpen), then lightened it a bit (Image>Adjustments>Curves):
Then I changed the Mode from Grayscale to Indexed Color (Uniform) to narrow the tonal (color) range:
I opened the Color Table dialog box (Image>Mode>Color Table…) and chose Table: Grayscale from the pop-down menu:
I selected all 256 squares (grayscale tonal values) by running the cursor over them from top to bottom. Making this selection causes the Color Picker window to open, and I was prompted to select my “first color.” (The idea here: pick a first and last color and thereby define a range of 256 colors between those two values. These new color values will replace the original grayscale values.)
I adjusted the slider and chose a light color (yellow-orange). This caused a new Color Picker window to open, and I was prompted to pick my “last color.”
I selected a very dark color by clicking at the bottom of the Color Picker window. My Color Table then displayed the 256 color values between my first and last colors:
I clicked OK to close the Color Table. My grayscale image was then converted to the corresponding yellow-orange color values:
I then changed the Mode from Indexed Color to RGB. This allowed me to duplicate the Background Layer:
Keeping the Background Copy selected, I opened the Threshold dialog box (Image>Adjustments>Threshold). I then experimented with the Threshold Level, moving the slider back and forth, until I got a nice clean contrast that wasn’t too light or too dark. (A level of 128 worked here, but this will vary somewhat depending on the image.)
I used the Magic Wand (with the Contiguous box unchecked) to select all the white areas on the Background Copy.
I pressed the Delete key to delete the white areas and allow the color from the Background Layer to show through. Then I flattened the image by choosing Flatten Image from the pop-down menu in the Layers palette:
Finally, I pressed the ‘D‘ key to set my Foreground Color to Black and used the Brush and Pencil tools to black-out some of the remaining (and distracting) yellow areas, and give the image a more high-contrast, pop-art look. By accident, I discovered I could retain a small section of the curtain in the background and make it look like prison bars– the perfect backdrop for bad boy Tommy Udo!
Interesting. I wouldn’t have thought of using Indexed Color to get that effect. And I’ve not tried the greyscale range via the color-picker. I’m going to bookmark this post and have a go at it sometime.
🙂
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Ha! I wouldn’t have thought of it either. I dimly recall seeing the idea in an old Photoshop manual I picked up somewhere. I was so intrigued, I had to try it. One of those things that leaves you a bit stunned and wondering how many other amazing undiscovered secrets PS holds. I think this Indexed Color trick was something one could do in the earliest versions of the program. Incredible. Glad you found the post helpful!
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I’m learning 🙂
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Uh-oh! You could learn some strange things if you keep reading this blog! But I don’t think you’ll suffer any permanent damage… : )
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I hope not! 🙂 Ha!
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